Saturday, April 7, 2007

Humor- Daniel's Hierarchy of Needs


Before I begin my rant on what makes good humor good, let me say something about heirarchys. No one spends all their time at the top. Actually, there is something known as too much of a good thing. This is the danger that heirachys can get in. Infact, without the majority supporting the top, the top cannot exist. In Maslow's theory, as in mine, it takes having your lower needs met to be able to move on. It is, however, important to realize that one finds one's self reverting back to baser needs on occasion. While I'm a humor snob, I'm not a Robotl

Jokes made because of or inspired by bodily functions do not amuse me because I don't find them funny. They're not really even jokes. If Maslow was reading what I was writing here, he might roll over in his grave. Is he dead? Anyway, as a behavioral psychologist, I think Maslow would agree with this assessment. His famous "Hierarchy of Needs" (or satisfiers) can be applied to our motivations of all kinds- including humor.
Allow me to explain. Look at the Diagram above. Maslow has categorized our needs in the order in which they can be satisfied. We all desire to have our needs met in order to feel satisfied. What ever that end point is for you (homeostasis, self satisfaction, Nirvana), the path by which we experience satisfaction is the same. If your physical body is being attacked, you're not really worried about your self esteem at the time. Likewise, if you can sit around on your brains (like I am at the moment) contemplating the meanings of things, then you are in a place where your other needs are being met. You can apply this to anyone, in any circumstance. It is used in office situations often to determine how to boost morale and encourage motivation to increase production. When people's needs are met, they have more motivation and therefore work harder. So what, Dan- what does this have to do with Humor?
My wife Ashley frequently is disappointed when I don't think something is funny that she finds humorous. I'm not easily laugh out loud amused. And I'm not saying that one is good or bad, but one is more sophisticated at least in as much as it takes more detail to make someone laugh. I submit to you (and to Ashley) that there is the same hierarchy to humor.
For the most part, all humor is negative. By that I mean it is at someone or something's expense. Good humor is intricate and subtle. 99% of the time, I am above poop and fart jokes. I don't find Bodily humor funny. It is boring, blue-collar, low brow comedy. Think Terrance and Phillip from South Park. I could think of a better joke if I was drunk and my brain had been deprived of oxygen. The point isn't that this stuff can't be funny, it that it's predicable. It's too easy. A step above that is the slip-on-the-banana-peel-gag. This Physical comedy falls in line with the "safety" category of Maslow's hierarchy. When other people we don't feel for are unsafe, it's funny. Think Tim Taylor and tool time. This comedy too can be predictable. Especially when you've already identified a show by this type of humor, you can see what's coming.
Comedy is about timing. If the audience gets to the conclusion before the entertainment, they don't laugh. If I guess what's coming- no matter how situationally clever- I won't laugh.
Third on the humor list, is Stereotyping. This fits in line with Maslow's belonging category. We want to belong to a class of people. Think All in the Family (or Family Guy for your young'ins). A fat white American says things that you've thought before and don't say. Most comedians fall in this category. Until recently, Chris Rock never made any jokes about anything but being black. And we loved him for it. Comedian Eddie Izzard calls himself a lesbian (thanks T-bone), and we roll in the isles. When a comedian relates to real life- even if it's not a group we belong to- we laugh because they've categorized things in a new way. Family guy's shtick, "It's like that time when" is an example of how these characters exhibit a characteristic that we relate to.
Fourth- and close to the top- of my humor hierarchy is the Character defense of the stereotype. This fufills the esteem function on Maslows. Esteem is based on self-worth, not just wanting to be part of the group, but wanting to be deserving of the group's attention. In humor, it take the shape of putting into comical phrases why we do what we do, as a way of getting others to hold us in high esteem. Think Homer Simpson. "Lisa, just because I don't care doesn't mean I don't understand!" or "I don't care if Ned Flanders is the nicest guy in the world, they guy's a jerk- end of story!" Since humor is mostly negative, it's turning the negativity inward and defending why we're so irrational. If life were perfect, there would be nothing to laugh at. Think about it. That's why The Simpsons are so funny, because they expose their society as a Caricature of real America. They don't need to use any real names or base anything on a true story to be closer to real life than any sitcom using actors.
The fifth and highest level in my humor hierarchy is Self Actualization. This form is hard to master, because it means finding a different result than what comes naturally. In it's truest form, self actualization is incredibly subtle. Like the fact that the Simpsons represent America with 2.3 children- as per the American average. The Simpons are the king of subtlty and self actualization. I'll give you an example that most Simpsons' buffs I know have never noticed. In the episode, "This Little Wiggy" Bart befriends Ralph Wiggum. They sneak into an abandoned prison where the sign says, "MorningWood Penitentiary" This one-off gag lasts maybe a whole second- and it might possibly be the funniest thing I've ever seen. I don't usually laugh at penis jokes- ask my best friend Steven- but the subtly and self-aware juvenile nature of this gag makes me laugh out loud. See- it's a baser joke reference reformatted as self aware. How is this joke self aware you ask? The writers knew that viewers like me are expecting something sophisticated and witty. Fans like me always pause to read the signs on the Simpsons. Most of the time they are punny. This one however, at first glance is a normal name of an institution, except cleverly placed and timed throughout a show that often is non-stop gags. I know you're thinking that this is just low brow humor- and it is. But before you start saying that I'm contradicting myself, ask if this joke is funnier than if I just said the word Penis. If this joke had been on Family Guy- the name of the show would be "Chris goes to Morning Wood Penitentiary" and every 5 seconds would have a revised penis joke based on the previous 5 seconds. If it was on South Park it would be called, "Cartman's mom's Morning Wood" and the boys would cuss until Chef told them about erections. You see my point? Subtlety is the difference.
So, call me a humor snob if you want, Ashley or anyone else. Deny that what I have described for you is an actual hierarchy of humor sophistication. But feel free to think about this and respond in kind. Climb my pyramid if you dare, and I'll see you at the top.

Humbly your humor snob,

Daniel

3 comments:

Hammerin' Hank 755 said...

I agree about the Bodily humor part, I've never found that stuff funny. But I gotta admit, I'm a sucker for slapstick. The Three Stooges stuff, the old Pink Panther movies with Peter Sellers, all those things kill me. When its done right, I love it.

P.S. Suprised to see Behind the Laughter on your top 10 list. I never knew you liked it that much.

Anonymous said...

I mostly agree with what you have to say (you probably figured I would, since I think we agree we have a fairly similar taste in humor). I do think there are certain times and places when bodily and physical humor can be funny, if not hilarious - but I definitely need something more than that to satisfy my comedic needs.

I think my favorite example of a movie that could fit all five of these categories is Pauly Shore is Dead. It is pretty crude, so it does have the bodily comedy and the physical comedy. It also has the stereotyping, being set in Hollywood and having cameos from dozens of celebrities. As far as the "character" and "self-actualization" categories, I read those as basically being one category: when a character (or even a movie) is self-aware. Pauly Shore is Dead accomplishes this, because all the has-been actors, especially Pauly, realize they are has-beens and totally make fun of it. Pauly Shore has no problem making fun of himself, which absolutely cracks me up. There's also subtle humor involved, don't worry. So if you don't mind sitting through the f-bomb being dropped 112 times in 82 minutes, jokes about sex, masturbation, or porn stars and hookers, I definitely recommend it.

I'm also a little sad you didn't throw any Arrested Development references in your explanations of any of your categories of comedy. Just a little bit.

Anonymous said...

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